Meet Sahira
Sahira (fka Dixie Q) is the drag djinn of Peterborough; unapologetically shape-shifting through every system designed to shrink Black, queer, and neurodivergent identities.
Born in Zanzibar and raised in Toronto, Sahira fuses movement, radical honesty, afro-fashion, and political heat into a drag practice that is equal parts ritual, rebellion, and joy as protest. A runner-up in the 2019 Future Fierce Pageant hosted by Tynomi Banks, Sahira was more recently hand-picked by Lemon out of over 40 applicants to compete in Toronto’s inaugural Legacy Pride Pageant in June 2025.
As an artist living with ADHD, Sahira builds work through a cyclical, intuitive process - shifting between music, sewing, painting, and performance as energy allows. What may look like bouncing between mediums is, for them, a self-regulated rhythm of expression. They return to each craft in cycles, layering skill over time and letting each form feed the next. Their practice honors neurodivergent flow: improvisational, dopamine-led, and rooted in autonomy. Onstage, performance becomes a kind of non-verbal clarity - not an escape from self, but a space where presence doesn’t require translation.
Sahira showcased the first rendition of their communally collaborative multi-disciplinary afro-drag project entitled A Dandy Lion’s Guide on How to Bloom from Rotted Roots during the 2025 Peterborough ArtsWeek.
Artistic Statement
As-salamu alaykum.
I’m not a drag queen. I’m a drag djinn. Djinns are beings of smokeless fire in Islamic mythology, shape-shifters by nature. I approach drag as a practice of constant transformation, movement without permission, and truth without compromise. My work spans performance, music, sewing, visual art, and fashion, each medium feeding the next in cyclical, intuitive layers. Living with ADHD, I move fluidly between forms, trusting impulses and energy to guide me rather than forcing linear progression. What may look like bouncing between mediums is, for me, a self-regulated rhythm of creation, where improvisation and iteration drive development.
My recent project, A Dandy Lion’s Guide on How to Bloom from Rotted Roots, exemplifies this approach. It is a multi-disciplinary work exploring grief, healing, addiction, and transformation through five movements: BURY, BREAK, BREATHE, BECOME, and BLOOM. Created during the Black August Arts Residency and partly funded by CUPE 3908, it incorporates performance, poetry, music, and visual media. I premiered the first iteration at Peterborough ArtsWeek 2025.
Where I want to go is to continue layering my work across mediums, exploring eastern African ritual, queerness, and neurodivergent expression. I aim to create immersive, collaborative experiences that challenge boundaries between audience and performer, personal and political, structure and improvisation. Ultimately, my practice cultivates spaces where others can witness transformation, feel possibility, and recognize their capacity to bend and reshape systems.
Upcoming Events
Oct 18th // 8:30 PM
Practical Magic
// Sadlier House
Oct 24th // 7:30 PM
Rough Cuts
// TTOK
Oct 25th // 8:00 PM
King, Thing, Or Queen of Halloween
// The El P
Published September 16, 2025.
Kawartha Now: Public Energy Performing Arts in Peterborough unveils its 32nd season lineup.
By Paul Rellinger.
Published September 16, 2025. Kawartha Now: Public Energy Performing Arts in Peterborough unveils its 32nd season lineup. By Paul Rellinger.
2025 Capital Pride Festival Weekend in Ottawa: What You Need to Know About Festivities and Road Closures.
Published by To Do Canada On August 22, 2025.
2025 Capital Pride Festival Weekend in Ottawa: What You Need to Know About Festivities and Road Closures. Published by To Do Canada On August 22, 2025.
June 25, 2025.
Pride Legacy Begins.
Written By Kevin Blondin.
June 25, 2025. Pride Legacy Begins. Written By Kevin Blondin.
FAQs
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I’ve been playing with gender and dressing eclectically for most of my life - but the first time I was paid to do it was when a friend asked me to perform a 'Lip Sync for Your Life'-style number at Market Hall for one of TQC's annual drag shows. I had no idea what I was stepping into. But the moment I hit that stage, something ancient and electric unlocked inside me.
It wasn’t just about the performance - it was about embodying a version of myself that felt more alive, more free. That night didn’t just spark a passion. It set me on a lifelong path of shape-shifting, storytelling, and community building through drag.
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In the world of drag, a drag child is someone you mentor - someone you guide as they come into their own artistry. It’s a chosen family dynamic rooted in care, legacy, and collective evolution. You help shape their drag, and in return, they shape you right back.
I have three beautiful drag children:
Betty Baker, who I adopted from a runaway queen,
Magnolia Knox, who I birthed in my living room,
& that aforementioned runaway queen herself.
Each of them brings their own distinct magic to the stage. Watching them grow as performers, creators, and people is a joy beyond words. We’re not just performing together - we’re weaving a legacy.
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‘Sahira’ means “the enchantress” in Arabic - which felt like the perfect invocation: a name with poetic power. I chose it because it conjured mystery, femininity, and magic. What I didn’t know at the time is that Sahira also means “the wakeful one” - the one who cannot sleep. The one who stays alert. The one who stays woke.