Meet Sahira

Sahira is the drag djinn of Peterborough; unapologetically shape-shifting through every system designed to shrink Black, queer, and neurodivergent identities.

Born in Zanzibar and raised in Toronto, Sahira fuses movement, myth, fashion, and political heat into a drag practice that is equal parts ritual, rebellion, and joy as protest. A runner-up in the 2019 Future Fierce Pageant hosted by Tynomi Banks, Sahira was more recently hand-picked by Lemon out of over 40 applicants to compete in Toronto’s inaugural Legacy Pride Pageant in June 2025.

With a background in graphic design, Sahira sculpts every look with a visual clarity and intention that transcends aesthetic. Their drag isn’t about perfection; it’s about speaking truth to power, integrating identities, and thriving beyond survival. From upcycled and handmade garments to multi-colored makeup, Sahira’s drag doesn’t just entertain — it insists.

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Parallel to their stage work, Sahira is set to hone AFRODEITY, their debut EP of spell-like lyricism and Afrofuturist vision, during the Black August Arts Residency in August 2025, a two-week, inter-arts residency they were selected for out of over a hundred applicants.

Artistic Statement

As-salamu alaykum.​

I'm not a drag queen. I'm a drag djinn. Djinns are beings of smokeless fire in Islamic mythology, shape-shifters by nature. That’s how I approach my drag: as a practice of constant transformation, movement without permission, and truth without compromise.

Each performance is a ritual. Sometimes it's high-energy dance, sometimes live painting, sometimes a comedic monologue speaking truth to power — but always, it’s about presence.

I don’t aim for perfection. I aim for flow. I perform in real time — not something overly rehearsed, but planned and rooted in intention. I honor my body, the energy in the room, and whatever needs to come through that night. It’s about trusting the moment, not controlling it. I lean into what others call mistakes. A smudged line becomes a new contour. A wardrobe malfunction becomes a gag. It’s a collaboration with the universe as it naturally unfolds.

I take deep inspiration from Black queer excellence and activism — artists like Bob the Drag Queen, The Vixen, Shea Couleé, and Peppermint — who remind us that drag isn’t just about looking good. It’s about toppling systems.

My drag is political, spiritual, and raw. But it also knows how to play. I work across mediums — makeup, music, movement, fashion, comedy, and more — because for me, drag is not about playing a part. It’s about exploration and expression.

At its core, my drag is a simple truth: we are boundless, if we choose to be.

Upcoming Events

July 21st - Aug 5th
Black Arts August Residency

Aug 8th
All Ages Open Stage
& Drag Exchange
Registration

  • Person wearing a colorful patterned outfit with floral embellishments, a matching headwrap, and feathered red cuffs, standing against a light background.
  • A person dressed in futuristic, space-themed costume with armor and mesh, adjusting long black hair in a vibrant purple-lit club or stage setting.
  • A woman in a headwrap and black top stands at a microphone on stage, smiling. The image features colorful text that says, 'The Love Ball Shukran,' and a thank you message at the bottom, with the credit to Andy Carroll.
  • A woman in colorful, traditional African attire performing on stage with a DJ setup behind her and a digital backdrop featuring a large spider graphic and text.
  • A person with dark skin and makeup, wearing large pentagram earrings and a pink outfit, holds a large striped fabric or hat overhead while standing behind sheer white curtains.
  • A woman on stage holding a striped scarf above her head with both hands. She is wearing a black head covering, a pink and black outfit, and striped sleeves. The background features a shadowy projection of the word 'SAHIRA' in stylized font, with the logo 'JC Photography' in the lower right corner.
  • A woman dressed in a colorful, eclectic outfit with animal print accessories, wearing a large wrapped headscarf, bold makeup, and jewelry, striking a pose against a black background with gold decorative elements and a cross symbol.
  • Person with bold makeup and jewelry, wearing vibrant, artistic clothing with floral and butterfly prints, posing among colorful flowers and greenery in an indoor setting.
  • Person with bold makeup and a netted head accessory, wearing a sleeveless vest and patterned clothing, standing beside a floral arrangement
  • A painting of a woman's face with bold makeup, large hoop earrings, and a yellow collar, overlaid with an abstract gold web pattern, set against a green background.
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 FAQs

  • I’ve been playing with gender and dressing eclectically for most of my life — but the first time I was paid to do it was when a friend asked me to perform a 'Lip Sync for Your Life'-style number at Market Hall for one of TQC's annual drag shows. I had no idea what I was stepping into. But the moment I hit that stage, something ancient and electric unlocked inside me.

    It wasn’t just about the performance — it was about embodying a version of myself that felt more alive, more free. That night didn’t just spark a passion. It set me on a lifelong path of shape-shifting, storytelling, and community building through drag.

  • In the world of drag, a drag child is someone you mentor — someone you guide as they come into their own artistry. It’s a chosen family dynamic rooted in care, legacy, and collective evolution. You help shape their drag, and in return, they shape you right back.

    I have three beautiful drag children:

    • Betty Baker, who I adopted from a runaway queen.

    • Magnolia Knox, who I birthed in my living room.

    • And that aforementioned runaway queen herself — a full-circle story if there ever was one.

    Each of them brings their own distinct magic to the stage. Watching them grow as performers, creators, and people is a joy beyond words. We’re not just performing together — we’re weaving a legacy.

  • ‘Sahira’ means “the enchantress” in Arabic — which felt like the perfect invocation: a name with poetic power. I chose it because it conjured mystery, femininity, and magic. What I didn’t know at the time is that Sahira also means “the wakeful one” — the one who cannot sleep. The one who stays alert. The one who stays woke.

    That’s the thing about true names:
    I thought I was naming my drag persona.
    Turns out, I was naming my destiny.

    Because what is a djinn, if not a being of smokeless fire — one who refuses to rest in a world that demands their silence?
    What is a drag enchantress, if not someone who bends illusion into truth — who reshapes reality so that the hidden becomes seen?